The Red Tea Detox

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It’s a tough picture to shake: Kate Miller-Heidke swaying on a two-storey pole, glowing in a three-metre tulle-and-crystal gown, her well-known three-octave voice hovering as she sings about postpartum melancholy.

The epitome of sunshine and shade, the track – which she is going to carry out within the early hours of Wednesday, as Australia’s contestant within the 2019 Eurovision contest – is a neat match for the contradictions of the televised occasion itself: a celebration of camp set towards one of the vital contentious ongoing political conflicts on the planet.

Who’s Kate Miller-Heidke?



TEL AVIV, ISRAEL - MAY 13, 2019: Kate Miller-Heidke representing Australia performs during a dress rehearsal of the first semi-final of the 2019 Eurovision Song Contest. Vyacheslav Prokofyev/TASS (Photo by Vyacheslav ProkofyevTASS via Getty Images)


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TEL AVIV, ISRAEL – MAY 13, 2019: Kate Miller-Heidke representing Australia performs throughout a gown rehearsal of the primary semi-final of the 2019 Eurovision Tune Contest. Vyacheslav Prokofyev/TASS (Picture by Vyacheslav ProkofyevTASS by way of Getty Photos)

A classically educated opera singer, Miller-Heidke started her acclaimed profession performing with Opera Queensland and Opera Australia, earlier than releasing her debut pop document, Little Eve, via Sony in 2007.

Her follow-up, Curiouser, went platinum, and since then she’s moved onto diversified endeavours: writing a five-star opera based mostly on John Marsden’s e-book The Rabbits; scoring the musical model of Muriel’s Marriage ceremony together with her accomplice Keir Nuttall; and taking over a place because the musical director of the Apra Amcos awards, a ceremony recognising songwriters.

Within the midst of this, the musician gave start to her first little one – a day-long labour which resulted in an emergency caesarean and 5 days within the neonatal intensive care unit for her son Ernie. “[I was in] a fog mentally, bodily,” Miller-Heidke instructed the ABC’s Australian Story on Monday, of the postpartum melancholy she skilled afterwards. “It was like transferring via this type of darkness.”



Australia's Kate Miller-Heidke rehearses ahead of the 64th edition of the Eurovision Song Contest in the Israeli coastal city of Tel Aviv on May 13, 2019. (Photo by Jack GUEZ / AFP)        (Photo credit should read JACK GUEZ/AFP/Getty Images)


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Australia’s Kate Miller-Heidke rehearses forward of the 64th version of the Eurovision Tune Contest within the Israeli coastal metropolis of Tel Aviv on Might 13, 2019. (Picture by Jack GUEZ / AFP) (Picture credit score ought to learn JACK GUEZ/AFP/Getty Photos)

With its heart-racing europop drums and hovering refrain, Miller-Heidke’s Eurovision entry, Zero Gravity, describes her restoration. “It was making an attempt to seize that feeling the place you will have one way or the other managed to flee melancholy.”

Miller-Heidke is already considered one of Australia’s most revered creatives, however Eurovision represents a brand new frontier for high-level performers – an estimated 180 million viewers is the sort of viewers many aspiring pop stars solely dream of. If even 10% of them streamed an entrant’s track as soon as, it might quantity to a major payday.



SYDNEY, AUSTRALIA - OCTOBER 11:  Headline act, Kate Miller-Heidke poses on board a Sydney ferry during the Twilight At Taronga 2018 Summer Concert Series launch at Taronga Zoo on October 11, 2017 in Sydney, Australia.  (Photo by James D. Morgan/Getty Images)


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SYDNEY, AUSTRALIA – OCTOBER 11: Headline act, Kate Miller-Heidke poses on board a Sydney ferry through the Twilight At Taronga 2018 Summer season Live performance Sequence launch at Taronga Zoo on October 11, 2017 in Sydney, Australia. (Picture by James D. Morgan/Getty Photos)


Miller-Heidke has a good shot at progressing to the subsequent spherical, too; in 2016, Australia’s Dami Im was first runner-up, and betting web site Sportsbet has Australia an $11 probability to win.

However the boon to her profession comes with one vital caveat: this yr’s Eurovision has develop into a flashpoint for debate round cultural relations with Israel, with activists calling on all contributors to not carry out there.

Miller-Heidke vs BDS: ‘I’m glad I’m right here’



GOLD COAST, AUSTRALIA - FEBRUARY 08: Kate Miller-Heidke poses during a media call for Eurovision - Australia Decides at Gold Coast Convention and Exhibition Centre on February 08, 2019 in Gold Coast, Australia. (Photo by Chris Hyde/Getty Images)


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GOLD COAST, AUSTRALIA – FEBRUARY 08: Kate Miller-Heidke poses throughout a media name for Eurovision – Australia Decides at Gold Coast Conference and Exhibition Centre on February 08, 2019 in Gold Coast, Australia. (Picture by Chris Hyde/Getty Photos)

In earlier years, Eurovision has usually been seen as a kitschy and innocent PR alternative for the international locations concerned, championed as a pageant of bringing-people-together, no matter the place they arrive from.

However this yr, it’s being hosted by Tel Aviv, Israel, and consequently has been focused by activists from the Boycott, Divestment and Sanctions motion: a non-violent, Palestinian-led motion that seeks to boost consciousness of the plight of Palestinian individuals residing beneath Israeli occupation. BDS argues that Eurovision is an occasion of Israel utilizing music and cultural spectacle to “whitewash” its therapy of Palestinian individuals within the West Financial institution and Gaza, the place lethal preventing is frequent and Palestinian freedom of motion is severely restricted.



Contestant Kate Miller-Heidke of Australia poses on the "Orange Carpet" during the opening ceremony of the 2019 Eurovision Song Contest in Tel Aviv, Israel May 12, 2019. REUTERS/Amir Cohen


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Contestant Kate Miller-Heidke of Australia poses on the “Orange Carpet” through the opening ceremony of the 2019 Eurovision Tune Contest in Tel Aviv, Israel Might 12, 2019. REUTERS/Amir Cohen


Israel has hosted the competitors twice earlier than – in Jerusalem in 1979 and 1999 – however that is the primary time for the reason that start of the BDS motion in 2005.

The organisation goals to finish Israel’s occupation of Palestine via, partly, a cultural boycott of the nation which incorporates actively petitioning musicians who add Israel to their tour schedules. It has had rising success picketing pop stars over the previous few years – Lorde and Lana Del Rey being among the extra high-profile names to name off concert events in Israel consequently.

Monday night time’s Eurovision opening ceremony was protested by activists sporting “Free Palestine” T-shirts, who had been reportedly moved alongside by Israeli police. Israeli authorities have confirmed that they are going to be cracking down on protesters in an try and “be sure that nobody comes [to the show] with a purpose to disturb and destroy”.



Contestant Kate Miller-Heidke of Australia poses on the "Orange Carpet" during the opening ceremony of the 2019 Eurovision Song Contest in Tel Aviv, Israel May 12, 2019. REUTERS/Amir Cohen


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Contestant Kate Miller-Heidke of Australia poses on the “Orange Carpet” through the opening ceremony of the 2019 Eurovision Tune Contest in Tel Aviv, Israel Might 12, 2019. REUTERS/Amir Cohen

Regardless of taking a robust stance on human rights points, together with the offshore detention of asylum seekers, Miller-Heidke has defended her determination to carry out at Eurovision 2019. “It’s tough, however I assumed deeply in regards to the determination to return right here and I stand by that call,” she instructed reporters on Monday. “Eurovision was created with a spirit of togetherness, the spirit of breaking down limitations between individuals and utilizing the ability of music and artwork to return collectively and be open. I’m glad I’m right here.”

Pink Floyd’s Roger Waters has launched a video telling the singer: “You, in case you go to Tel Aviv and sing, can be utilized by the Israeli authorities to whitewash the occupation and it’s gone on too lengthy.”

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